posing for integrity

Appearing in the Projector, February 5, 2006

I’m not the only one who’s trying to convince others how great dance music is.

Unfortunately the musical sub-culture loses integrity whenever techno and its contemporaries have been targeted by commercial organizations. Hot103’s latest advertising campaign for example, features a woman posing as a DJ behind a mixer and a pair of turntables. On the giant billboard, a photograph captures a model dancing with headphones around her neck; both arms spread like she’s reaching towards the decks as if she were mixing the records on them.

Party fun time, yes? No.

The thing is – the setup is faked so obviously no credibility could ever be given to either the station or the ad. Most of the time djs play in darkened dance clubs, not brightly lit rooms illuminating them like stage actors under a spotlight. Granted, this was more than likely a studio job, with most of the work for the billboard done with photoshop or something. This is forgivable.

Usually when djing however, needles are placed on records. In the billboard the tone arms of both decks rest on their holders. Even more often, there are actually needles on the turntables. The photograph is huge and it’s easy to see that there aren’t any (needle) cartridges attached to either of the tone arms which, is like playing guitar without strings.

This kind of bastardization of underground music has been happening for years. Punk rock, grunge, techno, house, and so on – they’ve all been raped of their credibility by companies hoping to make money off of the so-called cool factors. It’s terribly unfortunate and makes me question the validity of techno…until I hear something like Mr. Oizo’s remix of Something About You by pop princess Jamelia. (No, this tune is not super new, but that’s not the point I’m making here…)




Mr. Oizo’s real name is Quentin Dupieux. He chops the beats into a sort of abbreviated madness and disassembles the melody in a similar way. The rework turns the R&B blandness into an electro dance floor stomper. Even though this tune specifically isn’t brand new and I’ve listened to it probably hundreds of times, it’s a perfect example of a record that djs would love to dig their needles into.



Although somewhat elusive the artist known as Trashtalk, from Germany, smash through aural barriers with their squelch and sleaze. Their single Tankgirl is another prime example of what dance music should sound like. It’s dripping wet with synth and so thick layers of robotic paste ooze off of dance floors when it’s played.

Jamelia – Something About You (Mr. Oizo Remix).mp3
http://www.myspace.com/oizo3000

Trashtalk – Tankgirl.mp3
http://www.myspace.com/wetalktrash

Not the same old rock and roll

In grade 10 (sadly that was 15 years ago) when I first started listening to electronic music, there was a considerable lack of artists producing quality tunes. Dance music then, was saturated with commercial pop cheese. Travelling on school trips was so fantastic because breaking the surface of underground music seemed so much easier in larger city centres. I didn’t have to dig far to find gems, or even what I thought was gold.

Things are different now. It’s so easy to find music (for free if you’re looking in the right places) that the difficult part of the search has now shifted to filtering out the material that’s mediocre to poor.

Not every track I find is new, but for the most part the tunes have been released within the last six months. While I admit only a small demographic of people listen to the type music I collect (robotdisco, mashups, and techno sleaze) there are still hundreds of other bedroom producers publishing music that remains unheard by my ears.

This is why I find it so unbelievable that so many djs play the same tunes they listened to 15 years ago. The repetition, in my opinion, is remarkably unforgivable. Good music aside, many djs in Winnipeg, especially the well paid ones, are afraid to play anything (seriously ANYTHING) new.

Forgive me for sounding somewhat elitist – this isn’t my intention. For sure, it’s comforting to hear familiar music especially when a large amount of nostalgia and sentimentality attaches itself to a particular song. Music, like most art after all expresses emotion which is necessary for human survival and without it life would probably become mindless and worth nothing.

Regardless, I have to question why it’s so enjoyable for many to repeatedly hear the same thing time and time again. Furthermore I have to ask if djs, as entertainers, capitalize on peoples’ emotions tied to memories or do djs respond to implicit demands of those who only want to dance to something they’ve heard before.

If you look at your own cd, record, and / or mp3 collections, if you’re like me, you only pull out the oldies once in a while. It’s nice to mix things up but I don’t think it’s fair to rely on the safety of what worked…before.

At some point, let’s move past high school and on to…something else. Put the old records on the shelf…and try these instead, maybe.

Jerome Pacman – “Hot Flashes”
http://www.dancerecords.com/

PUZIQUe – “Relax”
http://www.sensationrecords.com

Rockers Hi-Fi – “Push Push” [M.A.N.D.Y.’s Pusher remix]
Available on BeatPort

Trashtalk – “Tank Girl” [Hystereo Rebrand]
Hystereo

John Dahlback – “If You Give Me”
John Dalhlback

Solee – “Impressed”
Humpty Records

Aggro1 – “Money For Nothing” [Dire Straits vs. Dive vs. DisconnektedV2]
Aggro1

Uffie – “Pop the Glock [Curtis Vodka remix2]
Uffie

DJ Delicious – “Let it Drop” [Henrik B Remix]
DJ Delicious

M.A.N.D.Y. vs. Booka Shade – “Body Language” [Jona remix]
juno.co.uk

I had a good time, I hope you did too.

Last night I played my biggest party ever. I had a tonne of fun even though the night ended unexpectedly early. Mike B. of Good From (the best night out in Winnipeg) asked me to help him out in the “indie” room. I can’t lie; I was super excited from the beginning.

As hired djs, Mike and I didn’t really have anything to do with the party itself. As it turned out, the demise of the party was a result of a few selfish individuals in combination with poor planning in part of the promoters themselves, as well as with inadequate staffing in Winnipeg Art Gallery.

Mike started things off by playing some punchy dance music that was far less than expected. I didn’t mind at all – practically everything he played is on high rotation in my personal soundtrack. Despite this, no one dances because revellers are lined deeply at the bar trying to consume an equivalent value in drinks as the open-bar tickets. During my first set I noticed heads in the bar line rocking front to back which I took as a good sign that the music was at the very least, infectious. There were a few technical difficulties, but for the most part everyone was smiling, including me.

The dance floor started to fill at the beginning of my next set. I’ve never had that many people dancing to music I’ve played. I tried to show my appreciation by rocking it behind the decks. I’m pumped and couldn’t wait to play more music. More and more people dance, then it’s Mike’s turn and the floor is packed. There is absolutely no room and I’m worried that people are going to crash into the equipment. This is okay for Mike because he’s only using the CD decks which can take a few more bumps than the turntables ever could. Plus, the cables from the turntables are what gave me problems.I went to get a drink and found out one of the bars is shutting down. The liquor commission is there and they don’t like what’s going on. I return the indie room and report what’s going on to Mike. We both think that once the LC leaves and that room is under control, things will be alright. Nope. Soon after, the entire party was shut down at 12:45 because some punters were stealing bottles and bottles of booze. Nice. Happy New Year.

The promoters did their best to keep the party going but the party was still shut down. At one point one of them came into our room and gave us the go to start things back up. Less than a minute later however, either someone from the WAG or from the LC shut us down again.

Thanks to everyone who came, especially those who danced. If you have any concerns or lost any items, you can email thecountdown2007@hotmail.com.

A small sample of some tunes played or tunes that I wanted to play er whatever:
- Original Sinners vs. Neneh Cherry: Buffalo Dance (White Label Mix)
- Apollo Zero: Gwen Stefani featuring Pharell vs Erlend Oye w Kraftwerk & YMO – Yummy Sheltered Life (Apollo Zero Reconstruct)
- White Stripes vs. CeCe Peniston: SevenCeCeArmy
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MSTRKRFT vs. Fergie: MSTRFRG
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Green Velvet: Shake and Pop
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John Dahlback: Don’t Speak
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C.L.A.W.S.: Claws Theme (Passions Remix)
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Crystal Castles: Air War (Casanova Remix)